ENTERTAINING • EDUCATING • ENRICHING POPULAR FICTION
I explore the sharp, silent intersection of sovereign power and algorithmic control.

“…a rare voice of measured clarity, whose deep historical insight is expertly translated into character-driven, high-stakes and cinematic narratives ready for television adaptation.”

Cinematic popular fiction.

Selected Works
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Historical Fiction
Rights Available
The Kings Have Won
(2024)
A masterful work of historical fiction.
For fans of historical dramas, who crave both history and intrigue, this engrossing collection of 19 short stories serves as an illuminating window into America’s past and the clandestine machinations of America’s elite, its secretive oligarchy.
The book is a masterfully woven collection of 19 riveting stories that span two centuries.

TV/Film Comp: Succession meets Wolf Hall / Marie Antoinette

Where to read

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Financial Thriller
Rights Available

Dark Pools

(2025)

In the shadows of wealth and ambitions, control is worth any cost.
In a world where money buys influence and secrets are deadly, Secretary of The Treasury, Jane Holt navigates a dangerous game where power rules.
But, as alliances grow, so does the casualties.
In a escalation for control between the U.S. President and a secret banking cartel, who will blink first, and who will survive? This gripping thriller examines the hidden world of finance, and the forces that shape history.

TV/Film Comp: Margin Call meets Mr. Robot / Tinker Tailor Soldier Spy

Where to read

ENTERTAINING • EDUCATING • ENRICHING POPULAR FICTION

A passion Revisited

Armed with a vividly cinematic style, author Adrien Gold transforms a lifetime shaped by history into commercial narratives designed for the modern reader.
Born and raised in Paris, Gold’s creative instincts were awakened by his father’s stories of war and survival.
It was there he learned that history isn’t just about kings and treaties—it lives in the haunting weight of choices made under pressure.
Today, that philosophy drives his fiction. His voice is resonant, his prose is accessible, and his perspective is deeply informed.
“We do not turn to fiction to escape the truth, but rather to see it clearly.”